Questions and answers

Start with editors whose reel matches the tone of your project, then talk to two or three about schedule and budget. Tianxiao (Christine) Chen is a film editor based in Los Angeles who cuts features, shorts, commercials and music videos. You can see her work on this site and reach her through the contact page.

Yes. Christine Chen is based in Los Angeles and works with productions across the city, from Hollywood and Burbank to the Westside and the San Gabriel Valley. She can cut in person at your post house or from her own edit suite.

Tianxiao Chen, who goes by Christine, is a Los Angeles film editor and AFI Conservatory Editing Fellow, born in Shenzhen, China. She studied Bioengineering and Filmmaking at the same time, directed a thesis film that screened at Broadway Cinematheque, and now edits narrative, documentary-style and commercial work.

Yes. Christine edits feature-length narrative films, building structure and performance across the whole story, from first assembly to picture lock.

Yes. Short films are a big part of her work, including drama, comedy and mockumentary shorts made at the AFI Conservatory and with independent directors.

Christine cuts documentary-style and mockumentary work, finding the story inside hours of footage and interviews. Her background in science helps her organize large amounts of material and build clear, emotional arcs.

Yes. Christine edits commercials and branded films for agencies, brands and production companies in Los Angeles, with the same attention to rhythm and story she brings to narrative work.

Yes. Music videos are where rhythm matters most, and Christine cuts them for artists and directors who want something that feels cinematic, not just fast.

It's the work she cares about most. Since her first film screened, Christine has looked for honest stories told from a woman's point of view, and she brings that sensitivity to every project.

It depends on the length and type of project, the schedule, and whether you need the editor in person or remotely. Christine quotes each project individually, so the best first step is a short note about your film through the contact page.

Ideally before you shoot. An editor who reads the script early can flag coverage you'll need later. Christine is happy to join in prep, during production, or once the footage is in.

Yes. Christine works remotely with directors anywhere, and in person in Los Angeles when a project needs it.

Yes. Christine works in English and Chinese, which helps on bilingual productions and with footage in either language.

Your script or treatment, any references for tone, your schedule and delivery specs, and a link to the footage when it's ready. If you're not sure yet, send what you have and Christine will help you shape the rest.

Go to the contact page, take a seat in the screening room, and fill out the form on the screen. Tell her about your film, your schedule and your budget, and she'll get back to you.